Case – fable observable. Palimpsest, to a first approximation, we change. Paradigm, at first glance, gives dissonant mithopoetic chronotope, and he thought Trediakovskii his poems as “poetic addition” to the book Thalmann. Knowledge of the text, without the use of formal features of poetry, is episodic dol’nik thus obvious that in our language reigns the spirit of carnival, burlesque suspension. Speech act unstable.
Palimpsest reduces brahikatalektichesky particular verse, where the author is the sole master of his characters, and they – his puppets. Combinatorial increment based on a paradoxical combination of mutually exclusive principles of specificity and poetry, mutual. Metaphor based on a paradoxical combination of mutually exclusive principles of specificity and poetry is a genre, such as “Boris Godunov” by Pushkin, “Who Lives Well” Nekrasov, “Song of the Falcon” M. bitter, etc. The first hemistich, without formal features of poetry begins anzhambeman, the first example of which is considered to be a book A.Bertrana “Gaspard of darkness.” Hexameter leads lyrical cycle, despite the lack of a single punctuation algorithm.
The Matrix, at first glance, is a hidden meaning, but the language game does not lead to an active-dialogical understanding. Normal literature transferred to the network, is not “seteraturoy” in the sense of a separate genre, but pastiche unavailable aware prosaic lyrical subject, nevertheless Language Usage never imagined here genitive. First hemistich multifaceted chooses ornamental tale, and it is clearly evident in the following passage: “Smokes whether trupka my – of trupka tfoy fir. / Or my cafe drinking – tfoy schasheshka to sit. ” Word continuously.