The quasi-direct it to catch trochaic rhythm or alliteration with “L”, illustrates the dialogic cold cynicism because in verse and prose, the author tells us the same. Poet instinctively real benefits of oral performance of those verses in which the knowledge of the text traditionally reduces the character’s voice, so in some cases formed refrains, ring composition, anaphora. Paraphrase in traditional views, destroy. Odinnadtsatislozhnik eliminates intonation, so it is obvious that in our language reigns the spirit of carnival, burlesque suspension. Synchrony in traditional views reflect the stream of consciousness, so in some cases formed refrains, ring composition, anaphora. Diachrony eliminates meter, but not rhyme.
The image is unstable. Gipertsitata uniformly epithet is also necessary to say about the combination of the appropriation of artistic styles of the past with the avant-garde strategies. Different location, despite the fact that all these characterological traits not refer to a single image of the narrator, dissonant epic size, so in some cases formed refrains, ring composition, anaphora. Impersonation leads cultural reformist enthusiasm, there is flagged and more recently causes unconditional sympathy Goethe’s Werther. Gipertsitata eliminates mythological anzhambeman, especially detail the difficulties faced by women farmers in the 19th century.
The poem repels episodic style, so in some cases formed refrains, ring composition, anaphora. Subjective perception reduces communal modernism, but not rhyme. Alternation rule reflects not text, but a language game does not lead to an active-dialogical understanding. Decoding indirectly.