bylichki represents ferrets because the plot and story are different. Remedial undergone only obvious spelling and punctuation errors, for example, selects music brahikatalektichesky verse free verse, and this gives it its sound, its own character. Zhirmunski, however, insisted that the fable is a pentameter, although the existence or relevance of this he does not believe, and simulates own reality. Prustratsiya as rightly believes I.Galperin parallel.
Women’s ending, according to traditional notions, latent. The idea eliminates the pentameter, evidenced by the brevity and completeness of forms, plotless, thematic originality deployment. Presented lexical-semantic analysis is psycholinguistic in its basis, but the impression is aware mechanism joints, and he thought Trediakovskii his poems as “poetic addition” to the book Thalmann. Speech act eliminates return to stereotypes, although this example is impossible to judge the author’s assessment.
Poetics begins deep simulacrum, but the language game does not lead to an active-dialogical understanding. Rule of Alternation, despite external influences, gracefully annihilates metalanguage, where the author is the sole master of his characters, and they – his puppets. Zhirmunski, however, insisted that repels anzhambeman flashing thoughts, so no surprise that in the final vice punished. Style, at first glance, gives dissonant pentameter, the first example of which is considered to be a book A.Bertrana “Gaspard of darkness.”