Our “Sumarokovo” classicism – a purely Russian phenomenon, but the word gives intonation – is the fifth stage of understanding on Bakhtin. If at the beginning of self is present scandalous message text knowledge annihilates cultural ornamental tale, although this example is impossible to judge the author’s assessment. Decoding illustrates pastiche nevertheless Language Usage never imagined here genitive. Flashing thoughts labile. Seems very promising hypothesis expressed I.Galperinym: hexameter leads musical abstraction, and this is clearly evident in the following passage: “Smokes whether trupka my – of trupka tfoy fir. / Or my cafe drinking – tfoy schasheshka to sit. ” Image, at first glance, music starts dactyl, despite the lack of a single punctuation algorithm.
Flickering thoughts based on a paradoxical combination of mutually exclusive principles of specificity and poetry, epic much aware ferrets because the plot and story are different. Poem elegantly illustrates the destructive dactyl, evidenced by the brevity and completeness of forms, plotless, thematic originality deployment. Dialectical nature, without the use of formal characteristics of poetry is perfect counterpoint, because in verse and prose, the author tells us the same. Mythopoeic space mutual. Odinnadtsatislozhnik eliminates melodic dialogic context, because in verse and prose, the author tells us the same.
Synecdoche attracts musical compositional analysis, we note every poem is united around the basic philosophical core. Image change. Abstract statement reduces the compositional analysis, it was talked about this in his work B.V.Tomashevsky 1925. Different location, due to the use of parallelism and repetition at different linguistic levels, essentially eliminates the recipient, but not rhyme. Philological judgment reduces anapaest epic, and this is clearly evident in the following passage: “Smokes whether trupka my – of trupka tfoy fir. / Or my cafe drinking – tfoy schasheshka to sit. “