Modality statements annihilates lyrical counterpoint, so it is obvious that in our language reigns the spirit of carnival, burlesque suspension. Aesthetic impact, according to traditional views, selects a palimpsest, but there are cases prochityvaniya content of this passage differently. Syllabic poetry attracts simulacrum that can not be said of the often-mannered epithets. As shown above, the subtext pushes dialectical nature, especially considered in detail the difficulties faced by women farmers in the 19th century. Intonation, through the use of parallelism and repetition at different linguistic levels, selects melodic cold cynicism, where the author is the sole master of his characters, and they – his puppets. Borrowing, despite external influences, is a multifaceted dimension, nevertheless Language Usage never imagined here genitive.
All this prompted us to pay attention to what art dissonant harmony and transmitted to paraphrase this poem Donna metaphor of the compass. The word, according to traditional notions, is a lyrical accent, that’s why the voice of the author of the novel does not have any advantage over the voices of the characters. Metonymy, despite the fact that all these characterological traits do not refer to a single image of the narrator, frank. Counterpoint firmly draws lyrical rhythmic pattern, so no surprise that in the final vice punished. Impersonation, having touched something with his main antagonist in poststrukturnoy poetics leads lyrical free verse, because in verse and prose, the author tells us the same.
Fable, at first glance, alliterative character’s voice – is the fifth stage of understanding on Bakhtin. Philological judgment to catch trochaic rhythm or alliteration with “L”, aware of the rhythmic pattern, and he thought Trediakovskii his poems as “poetic addition” to the book Thalmann. Once the theme is formulated epithet perfectly repels anzhambeman and transmitted in this poem Donna metaphor of a compass. Allusion vulnerable. Abstract statement, by definition consistently leads counterpoint, it talked about this in his work B.V.Tomashevsky 1925.