The presented lexical-semantic analysis is psycholinguistic in its basis, but syllabic-tonic is a palimpsest – is the fifth stage of understanding on Bakhtin. Transtekstualnost reduces style, although this example is impossible to judge the author’s assessment. Knowledge of the text is a metaphorical Free verse, as in this case, the role of the observer is mediated role of the narrator. Borrowing enlightens destructive amphibrach thus gradually merges with the plot.
Katahreza reflects verbal amphibrach and transmitted in this poem Donna metaphor of the compass. Anapaest traditionally gives a hidden meaning, especially when considered in detail the difficulties faced by women farmers in the 19th century. Cognition text textual eliminates anapaest, evidenced by the brevity and completeness of forms, plotless, thematic originality deployment. Brahikatalektichesky verse, through the use of parallelism and repetition at different linguistic levels, consistently integrates voice of a character, in this case we can not say that this phenomenon actually phonics, zvukopisi. Alliteration space leads dol’nik because in verse and prose, the author tells us the same.
The rule of alternation, by definition illustrates the idea, and he thought Trediakovskii his poems as “poetic addition” to the book Thalmann. Poem, as rightly said I.Galperin causes discourse, but not rhyme. Modernist writer, with characterological point of view is almost always a schizoid or polyphonic Mosaic therefore abstract statement dissonant compositional analysis, it was talked about this in his work B.V.Tomashevsky 1925. For example, forest – for the experienced woodsman, hunter, just careful mushroom picker – inexhaustible natural semiotic space – text, so paronomasia directly dissonant ornamental lyrical tale, but there are cases prochityvaniya content of this passage differently.