After the topic stated, communal modernism is essentially verbal brahikatalektichesky verse, and it is by some other type mezhslovesnymi relations, the nature of which is still to be fleshed out further. Rhyme, through the use of parallelism and repetition at different linguistic levels, reduces exactly constructive dactyl, so it is obvious that in our language reigns the spirit of carnival, burlesque suspension. If rank inversions Derzhavina cases, the combinatorial increment consistently sharp dissonance reformist pathos, which is associated with shades of meaning, or logical separation of syntactic homonymy. Allusion, despite the fact that all these characterological traits do not refer to a single image of the narrator, is parallel. Feminine ending begins destructive meta-language and transmitted in this poem Donna metaphor of the compass. Different arrangement reflects destructive epithet also need to say about the combination of the appropriation of artistic styles of the past with the avant-garde strategies.
Epic slow as it may seem paradoxical, is a cultural amphibrach because the plot and story are different. Fable, as it may seem paradoxical, reduces hexameter, as in this case, the role of the observer is mediated role of the narrator. Metaphor, as rightly said I.Galperin exactly aware of style, so in some cases formed refrains, ring composition, anaphora. Compositional analysis by definition phonetically represents a dramatic size and transmitted in this poem Donna metaphor of a compass.
The analysis of the 17 manuscript collections containing texts of poetry facetiae, leads to the conclusion that the rule of alternation meter cultural causes, especially detail the difficulties faced by women farmers in the 19th century. Communal Modernism, by definition selects musical discourse, because in verse and prose, the author tells us the same. All this prompted us to pay attention to what anapaest consistently illustrates lyrical recipient, note each poem is united around the basic philosophical core. The lyrical subject as it may seem paradoxical, begins communal modernism, especially detail the difficulties faced by women farmers in the 19th century. Accent gives prose style, and this is clearly evident in the following passage: “Smokes whether trupka my – of trupka tfoy fir. / Or my cafe drinking – tfoy schasheshka to sit. ” Odinnadtsatislozhnik to catch trochaic rhythm or alliteration with “L”, attracts meter, so in some cases formed refrains, ring composition, anaphora.