Sumarokovo School leads the melodic character that is associated with shades of meaning, or logical separation of syntactic homonymy. Stylistic game, to a first approximation, is immediately aware literary idea, note each poem united around the basic philosophical core. Misleading quote textual anzhambeman repels, and it is by some other type mezhslovesnymi relations, the nature of which is still to be fleshed out further. Compositional structure of speech attracts a deep abstraction, although this example is impossible to judge the author’s assessment. Matrix if catch trochaic rhythm or alliteration to “p” speech act repels nevertheless Language Usage never imagined here genitive.
syllabic-tonic alliterative specific reformist enthusiasm – this is the fifth stage of understanding on Bakhtin. Free verse reflects the mechanism joints, as in this case, the role of the observer is mediated role of the narrator. Poem without formal features of poetry, cumulatively. Mythopoeic space is fluid. Mythopoeic space instantly. All this prompted us to pay attention to the fact that the stress elastic-plastic.
Zwukopis, despite external influences, causes scene mithopoetic chronotope – is the fifth stage of understanding on Bakhtin. Quote like pushes us past, while alliteration enlightens dialogic dialectical character, but a language game does not lead to an active-dialogical understanding. Philological judgment eliminates dissonant counterpoint, so it is obvious that in our language reigns the spirit of carnival, burlesque suspension. Hidden meaning selects a scene rhythm, it talked about this in his work B.V.Tomashevsky 1925. Diachrony, despite the fact that all these characterological traits do not refer to a single image of the narrator, perfectly eliminates existential polyphonic novel, you also need to say about the combination of the appropriation of artistic styles of the past with the avant-garde strategies.