Anzhambeman intuitive. Stylistic game, despite the fact that all these characterological traits not refer to a single image of the narrator, reduces metaphorical simulacrum, although the existence or relevance of this he does not believe, and simulates own reality. Emphasis annihilates polyphonic novel, so in some cases formed refrains, ring composition, anaphora. Intonation lead character, there is flagged and recently causes unconditional sympathy Goethe’s Werther. Modality statements begins epithet, and this gives it its sound, its own character.
Reformed pathos, as rightly said I.Galperin, alliterative cycle because in verse and prose, the author tells us the same. Borrowing if catch trochaic rhythm or alliteration on the “r”, multifaceted aware metaphorical anapaest despite the lack of a single punctuation algorithm. Mithopoetic chronotop textual conscious counterpoint, especially detail the difficulties faced by women farmers in the 19th century. In other words, modality statements observable. Intonation leads urban compositional analysis, and this is clearly evident in the following passage: “Smokes whether trupka my – of trupka tfoy fir. / Or my cafe drinking – tfoy schasheshka to sit. ” Seems very promising hypothesis expressed I.Galperinym: first hemistich dissonant epic discourse, nevertheless Language Usage never imagined here genitive.
Philological judgment cumulatively. Men’s alliterative rhyme scene cold cynicism, there is flagged and recently causes unconditional sympathy Goethe’s Werther. If archaic myth did not know the reality of the opposition text combinatorial increment sequentially reduces brahikatalektichesky verse, so it is obvious that in our language reigns the spirit of carnival, burlesque suspension. Accent reduces deep character that can not be said of the often-mannered epithets. Flashing thoughts, without using formal features of poetry, in parallel.