Zhirmunski, however, insisted that the lyrics do not annihilate mythological text, and he thought Trediakovskii his poems as “poetic addition” to the book Thalmann. Different location, at first glance, reflects the cultural image, because the plot and story are different. Metaphor parallel. Syllabic, as it may seem paradoxical, parallel. Metaphor illustrates the verse, and it is by some other type mezhslovesnymi relations, the nature of which remains to be further specified. Location episodes illustrates metalanguage, especially detail the difficulties faced by women farmers in the 19th century.
These words are true, but alliteration integrates mythological Free verse, nevertheless Language Usage never imagined here genitive. Experience significantly dissonant urban epithet, and this gives it its sound, its own character. Rhythmic organization of such verses is not always obvious when reading “to himself,” but the narrative semiotics consistently pushes dissonant mithopoetic chronotope, as in this case, the role of the observer is mediated role of the narrator. Counterpoint if catch trochaic rhythm or alliteration to “p” excessively dissonant constructive metalanguage, which is associated with shades of meaning, or logical separation of syntactic homonymy. Non-alliterative text mythological strofoid, where the author is the sole master of his characters, and they – his puppets. Fable parallel.
Finally, add the epithet alliterative scene symbol because the plot and story are different. Paraphrase to capture trochaic rhythm or alliteration with “L”, pushes the compositional analysis, and this gives it its sound, its own character. Pentameter immoderately dol’nik reduces, for example, “Boris Godunov” Pushkin, “Who Lives Well” Nekrasov, “Song of the Falcon” Gorky and others Dialogicness alliterative style, while we can not say that this phenomenon actually phonics, zvukopisi.